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researcher

Amanda Piña

Amanda Piña is a Chilean-Mexican artist living in Vienna and Mexico City. Her artistic work is concerned with the decolonization of art, focusing on the political and social power of movement, temporarily dismantling ideological separations between ‘contemporary' and ‘traditional', 'human and animal', ‘nature and culture'. Her work has been presented in institutions such as Tanz Quartier Wien, Kunsthalle Wien and MUMOK Museum of Modern Art of Vienna, Fondation Cartier pour l’Art Contemporain Paris, Kunsten Festival des Arts Brussels, De Single Antwerp, Royal festival Hall London, Museo Universitario del Chopo, Mexico, NAVE and Festival Santiago a Mil, Chile.

She studied Painting before going into performance, Studied Physical Theater in Santiago de Chile, Theater Anthropology in Barcelona and Contemporary Dance and Choreography in Mexico City , Barcelona, Salzburg (SEAD) and Montpellier (Ex.e.r.ce Choreographic Centre Montpellier) . In 2006 she received the danceWEB scholarship and in 2007 the scholarship for Young Choreographers from Tanzquartier Wien. In 2018 she was awarded with the Fonca Arts grant from the Mexican Government. Her current research and performative work is supported structurally by an artistic grant from the department of Culture of the City of Vienna.

Since 2008 she leads the gallery space specialized in expanded choreography and performance nadaLokal in Vienna which she founded together with the Swiss Visual Artist Daniel Zimmermann. Currently works on the realisation of the long-term project Endangered Human Movements *, concerned with the re appearance of ancestral forms of movements and cultural practices. Four volumes of research in the scope of this project have been already realised and a fifth is in progress. She is a research fellow at DAS THIRD.

Relevant Interviews:
Interview with Amanda Piña and Rolando Vázquez Dancing with a deer, a jaguar or a snake. A diptych on the re-appearance of other-than-Human movements

*Endangered Human Movements is the title of a long-term project, started in the year 2014, focusing on human movement practices which have been cultivated for centuries all over the world. Within this frame, a series of performances, workshops, films, installations, talks, publications and a comprehensive online archive are developed, in which ancestral embodied practices -movements, dances and forms of world-making – re-appear in the context of the theatre, the museum and beyond. This re-appearance of ancestral forms of movement entails a movement towards decolonizing contemporary arts and culture by introducing critical perspectives from the fields of anthropology, history, philosophy, visual arts, dance, choreography and contemporary-traditional indigenous Amerindian knowledge, the latter encompassing not only contemporary shamanism but also orally transmitted knowledge, social knowledge about the body, about movement and touch, about healing, about plants, about perception, about the interconnectedness of life forms and about ritual diplomatic knowledge applied to the relationship with other beings.

Read more about Amanda's work

Read more about her research Dances of Global Warming: Decolonial dance and the “post-human” in first nations ancestral weather related bodily practices

appears in these talks

Ausangate (Apu Awsanqati) Cuzco, Peru

Chignamazatl, Sierra Norte, Puebla, Mexico

Cerro El Plomo (Apu Wamani), Santiago de Chile

Glaciar La Paloma (Dove Glacier), Santiago de Chile